back in 1962 when this, their third album was released, the group consisted of smokey, ronnie white, pete moore and brother and sister bobby and claudette rogers. while he had yet to be featured in the billing by name that came in 1965 robinson’s photo was top and centre of the lp cover. the ten songs featured barely amounted to 27 minutes of music, but what i ll try something new may have lacked in quantity it more than made up for in quality. and the reason was clear. six of the ten songs stem from robinson s pen five solo efforts and the sixth, closing track this i swear, i promise , a co-write with janie bradford. let s savour an album that, as one perceptive critic put it, features the miracles at their early best... as young, eager kids just starting out, filled with optimism, youthful exuberance and enthusiasm, long before record-company politics, favouritism and restrictions changed the group forever.

dj, producer and rex club resident molly presents the third ep for her rdv music imprint, drawing on talent from across her native france, featuring fellow parisian aleqs notal (clek clek boom, sistrum) and 1977, as featured on syncrophone s for those who know imprint. while each side and artist offer their own distinctive flavour, percussive, classy late-night house music is the main course ideal for late nights under dim red lights.aleqs notal pays tribute to the timeless appeal of spinning analogue wax throughout opening track, sweet rotation a simple hymn to the essence of house music, bubbling gently on bright keys and woozy basslines. hands on follows, offering a more nocturnal angle on this enduring aesthetic, reducing the energy but enhancing the atmosphere even further, both on-record and across any packed dancefloor.the more southern sensibility of 1977 brings drumwork to the fore, weaving an exotic, patient tapestry of bubbling, alluring synths and analogue feedback across two confident, percussive jams. while vodoom indulges in tension and intrigue, ep closer jdlf is pure, unwinding pleasure, across which each of 1977s influences and instruments are offered freedom to breathe and evolve.with this installment of emminently classy and supremely confident house, rdv music continues to prove itself as one of the most worthy musical institutions on the contemporary parisian scene.

the next release on shaddock records is more than just dance tracks, 2 songs that come with full-blown vocals, a re-edition of classic latin freestyle by jorge ojeda ft. hilda mariee with an up-to-date cover version by mr. & mrs. jonson. the original version is a slammer coming straight from miami the capital of freestyle music. driven by hard electro beats and ojeda s signature, miami bass with latin hip hop/ freestyle dance grooves, -betrayal- when initially released on ojeda s destune records became a club and street phenomenon in miami. it would be one of the first of many productions between jorge ojeda and hilda mariee and their project teaz ii pleaz.

five italian talents of underground scene. solid ep from raw house to jungle jams. elio (dancing like quagmire / 800hz) received likes by marcelus pittman, roman flugel, pablo valentino and pender street steppers. keep an ear on this guy because many releases will come out soon. robbenspierre (dusky adriatic), sheesma party resident. he really doesnãt like to talk about himself. all you need to know is that he is an italian dj and producer and that he plays records that will make your ass shaking a lot and your mind blowing out of the floor. he drinks strongly, so offer him a drink and donãt give up.

180g double vinyl lp. far out monster disco orchestra returns with black sun, its second full-length album of 100% original, unadulterated disco sophistication, featuring all three original members of pioneering brazilian jazz-funk trio azymuth, a full orchestra with arrangements split between arthur verocai and azymuths late maestro jose roberto bertrami, plus members of the legendary rio funk group banda black rio.

our boss claude vonstroke is the busiest guy we know. when hes not traveling the world or curating an event, hes in the studio every day putting in hours upon hours, relentless in perfecting his craft. hes had a slew of hits the past couple years in the form of remixes and collaborations, and now with the walay (my bae) ep, claude gets back to some inventive and somewhat out of the box solo works. the title song leads with a melodic riff and an funky vocal that sounds like a defective cyborg is proclaiming love for his partner, walay. this quasi-human uses the slang my bae to try and pass for human and we almost believe in his passion. the sound harkens back to old classic rave tracks but also pushes very modern production techniques. on the flip, raw nerve is an emotional exploration in both sounds and lyrics. a melancholy vonstroke dives deep into his insecurities and fears with sonically mutated lyrics like im feeling so sad, im feeling real bad today. when i see you on the street i dont want to compete. you can feel the social instability oozing out of the vocal only to come back at the close with a violently hard bassline embodying the personal angst and frustration that goes along with not fitting in.

more disco meets deep house from that guy bobby analog on his third release from his body fusion imprint - this one has been getting some spicy reactions in the club. strong nyc influences from henry street for the a-side with a little hat tip to the darker, deeper feels of chez, ron and kerri on the flip. we hope there’s something for all hours of the early morning on here.

the backroom club was packed with the hottest kids from the street. the movers and shakers wore their finest clothes to get down to the boassanova rock whilst the gangsters and players watched on from behind luxurious red curtains. in the murky shadows some exchanged more than just pleasantaries in the form of parcels and goods. they were devilish figures who existed only by night, when the streets were no longer safe for the do gooders to walk. this was a rough and ready town. cyrk is set to release a new ep on the infamous rawax record label. a charming assortment of well crafted house and some sophisticated electro cuts for the club. rounded up by a fantastci remix from claude young!

still steamin from his turner street sound collaboration, midnight tenderness serves up a dreamy first solo offering with a fire-cracker of a four-tracker for sydneys ken oath records. the opener refresco is a bleary eyed house number with gently propulsive 707 cowbells and shaker rhythms over smooth pads & an infectiously jazzy bassline. the four to the floor mould is quickly broken as the ep progresses - terme is a midtempo electro track that retains all of the dreaminess of refresco while punching in some swish drum programming. flipping the record over, bevanda is a sweaty miasma of sub-bass, fm flutes and birdlike synth leads that could soundtrack an imaginary club located in the middle of queenslands tropical rainforests. the eps closer, hydra, pushes the tempo way down and introduces some smooth guitar licks, courtesy of riffin rory as well as some lithe flute play. the end result is a sleazy new jack swing jam that works as well for warm-up as it does for cooling down. if youre tired of buying boring club 12inches, look no further! this one will be as comfortable coming through your home stereo as it will be in the club

vinyl only. straight out of chicago with the pumping kick, elastic basslines and fierce hats unmistakeable from the windy city s legendary 90s house sound, new-generation dj/producer ed nine debuts on lisbon s based inner balance imprint.

the past few years have seen berlins frag maddin release material on waze & odysseys w&o street tracks, rough recordings and egg londons what came first as well as offering up a remix on roog & dennis quins ep for madhouse where her returns to here for a full ep featuring remixes from fellow berlin based acts black loops and kevin over. taking the lead on the package is the zauberflo&#776,te with its skippy hi-hats, hooky organ licks, hypnotic rhodes melodies and vocal cuts all further fuelled by a snaking sub-bass groove to create a slice of authentic house for one of the leading labels of the genre. black loops turns in a remix of the zauberflo&#776,te next, stripping things back to a deeper, more refined feel with spiraling, filtered elements of the original wandering around swinging 909 drums to create a groove-drive counterpart to the original. focus opens the latter half of the package, the second original from frag maddin which employs chugging square wave bass tones and dynamically evolving drums alongside tension building strings and choppy stabs before keving over closes the package with his gritty take on focus, featuring crunchy drums, dusty chords and cleverly arranged string and key samples.

on “5 star motel”, that younger gitkin (henceforth referred to simply as gitkin) has sought to expand the philosophy he encountered on that tape. the guitar is common thread, the raft to navigate a sun-dappled stream of ideas. it’s an embrace of cultures where folkloric stringed instruments still rule, or where they ve led to a more recent embrace of the electric guitar. he traces the loose, meandering paths which join them together.

sacred summits returns after a two-year hiatus with an album of interpretations of the music of eric satie by acclaimed composer morgan fisher. active for over 50 years morgans career has moved from 60s number one hit wonders love affair, to 70s rocknroll keyboardist in mott the hoople, before finally on to 80s ambient, improvisation and soundtracks, working with the likes of yoko ono, haroumi hosono and dip in the pool. based in japan since the mid-80s, fishers long-standing admiration for erik satie (1866- 1925) led to these inside satie recordings. satie’s unique work as a precursor to artistic movements such as minimalism, surrealism and repetitive music are acknowledged but for long periods he was not given the accolades his music warranted. a strange, eccentric, surreal man, he was never as acclaimed as the established masters, but influenced not only the likes of debussy but also many of the dada artists. on this album morgan played his music freely after just a brief look at the scores. recorded in just three days, it features piano, melodica, synthesisers, and morgans favoured tape delay system. inside satie is one of the first albums i recorded in japan shortly after moving here in 1985. in three days i improvised on several of my favourite satie themes. mostly i played piano as well as the rich, analog-sounding yamaha gs-1 (precursor of the dx-7), and sometimes used long tape delays to build layers of sound. all the pieces were recorded in single takes no overdubs (no time!).

chus + ceballos join new york label nervous records with an infectious single titled more i want u featuring remixes from house luminaries dj pierre and dj vibe. for many years now both nervous and chus + ceballos have been flying the flag for new yorks house music scene. however, aside from collaborating on their back on tracks mix cds nearly a decade ago, the two have never teamed up for a release. having pioneered the iberican sound, the spanish dj/producer duo have indisputably earned themselves legend status as they continue topping the charts whilst headlining the globes elite venues, not to mention the perpetual success of chus’ renowned label stereo productions. a long-time platform for illustrious producers, nervous records is now set to release the pairs forthcoming single with remixes from none other than acid house pioneer dj pierre and tribal house stalwart dj vibe. featuring chus + ceballos signature groove-laden percussion, more i want u is rhythmic with high-octane sounds and a catchy vocal element that comes courtesy of dirty love by sunshine jones on king street records. in his remix dj pierre uses murky synths to generate an ominous and twisted aesthetic before dj vibe drops thunderous kicks and trippy arpeggiated melodies to conclude the package

1st vinyl issue of sandra bell’s 1995 masterpiece “net”, previously a cd only release. release also contains all re-mastered tracks originally included on her “angel” and “chord” eps. mastered by josh bonati and pressed on 180-gram vinyl, the 2xlp comes in a full-colored wide-spine sleeve accompanied by inserts, a 22x22” foldout poster and download code.

the complete show from copenhagen, march 24, 1960 on miles davis’ and john coltrane’s final tour for the first time on vinyl.

signing on the second release of the label blue night jungle, the duo dudmode disturbs its machines and inspirations around a wild and mystical acid techno - sometimes minimalistic, sometimes extravagant. two faces of a same coin which the lyon guys are trying to explore by inviting, for the whole b face, two french artists they feel very close with : jibis, head-speaker of a new techno beat both dense and aerial , vardae, owner of the label allegorythme records and great defender of a more mental and obscure vibe. « une nuit dans l’herbe » (« one night in the grass ») ep marks the strong come back of lyonnese rave culture’s children, already sanctified by a long and sensual experience on the stage.

jonny whites art department returns this march with his first solo ep in nearly 3 years, the first of a string of releases planned for 2018. the record features three inventive new tracks, including one produced in association with new york house pioneer toddy terry and vocalist roland clark. in no uncertain terms, this package re-asserts art department as one of contemporary house musics most essential voices.

mar & sol first release is aleluia lp from the cabo verde singer pedrinho. at the time, late 70 s, this lp was one of the biggest successes from cabo verde music. singer pedrinho moved to lisbon when he was 18 years old, and recorded this album, the first one of his career. aleluia was produced in the same street where mar & sol is based nowadays, in rua de s.bento, lisbon, portugal. this street was also where pedrinho come to live when he arrived in portugal, like the majority of the musicians and emigrants from the old african portuguese colonies move at that time, to try a new luck. a big community grew here and these artists got the opportunity to record their own traditional music by the hands of local labels. now is the time for mar & sol to give a new life to all this music, this is the first of many reissues that are coming to start the series of the label.

limited edition re-issue of the classic miles davis album from 1963. includes the bonus track “summer night”.

here come the james hunter six! ser ving yet another delicious dish of what you wish with the premier single off their upcoming lp, whatever it takes (dap-051). and ill be a monkeys uncle ifjames hasn’t delivered two of his most compelling sides to date on this one. i dont wanna be without you is a graduate level course in the three rs of r&b: rhythm, rhyme, and romance. a sultr y rumba sets the mood, as hunter swaggers in donning his finest voice like a crisp tuxedo, complete with ruffled vibrato and rhyming cuff-links and proceeds to lay on an absolute hear t-stealin, deal-sealin, panty-peelin gem. on the flip, i got eyes loosens the collar and brings the metronome mark up a few clicks for a punchy tightened-up workout, edged-up with vibes and street corner backgrounds. bring your talcum powder and a change of clothes cause its another jaw-droppin showstopper by that finger poppin pond-hopper, james hunter

few traces surveys a near decade of mark renner’s scarcely released and unreleased material from 1982 to 1990, embracing and evoking the timelessness of his artistic statement: a wordless translation of the individual’s musical experience, met with the poetic expression of being here. the double vinyl release comes with download code and booklet with extensive liner notes from brandon soderberg and unseen ephemera.

‘oonops drops’ is the eponymous name of dj oonops’ monthly broadcast on brooklyn radio (nyc). it’s your not average radio show without talk and comments for which he invites renowned guests with their exclusive mixes from around the globe to create timeless and thematic episodes. in the last sixty shows he got visited by artists like morcheeba, guts, nickodemus, the herbaliser, nostalgia 77, boca 45, blundetto, chinese man and many more.

edmondson first came to my attention with his lobster theramin distributed release, flamingo tripper, on his own label lissoms. or so i thought. turns out he was actually a guy who used to serve me in one of my favourite pubs in newcastle. back in those days he was a dub step / drum and bass kid, and as per the trend with all of those guys, hes now showing the house heads how its done, with a much keener feel for sound design, groove and a better ear for a sample than 90% of us lazy people who cut our teeth on a 4/4 beat. edmondson (or sean as i did know him and how i know him once again) is really one of the most exciting producers out there right now for me, and i couldnt be happier that weve reconnected and hes kindly allowed me me me to present some of his amazing music. we have love is an instant classic, and psg is a work of pure emotive art. to remix we have love, ive enlisted dauwd (fresh from his amazing album on technicolour). sean suggested him, and i jumped on the suggestion as he was one of the first people i met when i moved to berlin 4 years ago, and ive been trying to figure out a way of working with him since. he takes a we have love down a kind of more delicate and steppy route. its very pretty, but also really makes you want to dance. to remix psg i asked asok. again, i thought i first met asok about 7 or 8 years ago, when he came and played for a party i used to throw in newcastle. after becoming good friends over the years, we got chatting and it turned out that we were both in magaluf in 1998, and may have actually been involved in the same street brawl. thats not something either of us are proud of, but its definitely food for thought. i’m biased, but i think his remix is my favourite thing he’s ever done, and i love everything he’s touched musically to date, so thats probably an even bigger endorsement than it first seems. his version is big.

gulf points expanding roster delivers a twist with the introduction of vienna-based alexey lanvin. men s fashion connoisseur by day, one look diarises alexey s private persona as he broods over the octaves with acutely romantic flair. his series of short online videos hint at a realm where long stares, midnight moods and south beach style are everyday fare a vision fellow pastel chief and label boss benny badge simply couldn t ignore. one look- opens this window to lanvin s electrifying world even further, his talking keyboards ready as ever to converse. alexey gets straight to the point, launching into two searing ballads full of silky rhodes and evocative textures. while an ominous inner-city funk adorns all songs, its definitely miami when the upbeat items arrive (both good love and lips could score one of crockett s fleeting love scenes in easy fashion) - suggesting his high street antics are merely a front for his downtown demeanour. ep includes: standing out, in and out of love, your eyes, good love, lips, cassette only bonus track. arranged and recorded entirely at alexey s home studio with minor alterations by benny badge at secret heat music.

here come the james hunter six! serving yet another delicious dish of what you wish with the premier single off their upcoming lp, whatever it takes (dap-051). and i’ll be a monkey’s uncle if james hasn’t delivered two of his most compelling sides to date on this one. “i don’t wanna be without you” is a graduate level course in the three r’s of r&b: rhythm, rhyme, and romance. a sultry rumba sets the mood, as hunter swaggers in – donning his finest voice like a crisp tuxedo, complete with ruffled vibrato and rhyming cuff-links – and proceeds to lay on an absolute heart-stealin‘, deal-sealin’, panty-peelin‘ gem. on the flip, “i got eyes” loosens the collar and brings the metro- nome mark up a few clicks for a punchy tightened-up workout, edged-up with vibes and street corner backgrounds.

first ever reissue of the sole long-playing album by colombias los chicos malos, originally released by discos fuentes in 1980. los chicos malos was a short-lived colombian super group- of sorts from cartagena with acclaimed pianist and composer vctor m el nene del real as orchestra director and arranger. vocals were shared by john jairo murillo and vctor melndez, both known for their work with the latin brothers. produced by the legendary mario rincon, this highly sought-after lp is an irresistible mix of uncompromisingly hard salsa and cumbia infused with infectiously happy melodies punctuated by a distinctive double-trombone attack inspired by the nuyorican street sound of willie coln. presented in facsimile artwork and pressed on 180g vinyl. part of vampisouls reissue series of classic fuentes lps.

1st vinyl outing from the mysterious new user engine project coming soon. celebrating various aspects of house and techno, the new world order ep charts a journey from blistering old-school acid-house to more modern sounding techno floor burners. will be released on stepback records, mastering by radioactive man, illustration by jamie kinroy.

the 70s saw a growing interest in so called dub versions, an approach based on deforming, stripping and rebuilding the original tune and came known as dub music. king tubby along with other dub wizards such as, lee perry & prince jammy, were responsible for this exciting new dimension to jamaican music. however, most of these dub albums were pressed in very small quantities and disappeared quickly. one of those albums is dub expression by errol brown and the revolutionaries. no gimmicks on this one, he uses simple echo and delay, a few vocals sliding in and out, separate instruments floating on top, with respect to the melody of the tunes. a mixture of dub and instrumentals. enjoy these super tracks!
limited edition of 750 numbered copies on orange coloured 180 gram audiophile vinyl.

based in colombias capital, bogotá, felipe gordons sound is testimony that both challenges and reinvigorates the burgeoning colombian house movement. his statement is built of resonances inspired by other decades, bogotá, cold, streets and messy youth. its not surprising when we hear pianos and classic acid house lines paired with jazz samples and funky bass lines. his ability to mix this complex sounds into club music has made gordon into a renowned and prolific producer (nomada, toy tonics, w&o street tracks, sampling as an art). one to watch. nuff said. welcome to quintessentials!

connewitz plagwitz, reudnitz alles klar. hin her,hinher hin! 10/40 – distillery – westwerk – ifz – conne island – kronik

lmds first ever collaboration ep * echoes of paradise* by shaun soomro & mikael stavostrand gets reworked. legendary cult producer josh brent reworks * street code symphony* in classic schatrax esque style turning it into a beautiful timeless cut. it recalls his best works as schatrax - sparse, jacking, lush and dreamy with a sense of mystery created by a master crafts man who set the blueprint for this sound. shaun soomro’s re-vision of paradise lost takes things in a completely different direction also, but in heavyweight dub mode. drawing its groove from a mesmerising sub bass, shaun layers and recomposes from the first violin recording session & plays in new string segments that blossom and develop the more you listen, creating a epic symphonic dub masterpiece. one for the late night warriors! both artists turn out exceptional reworks primed for those special dance floor moments

every now and then a release comes along from out of nowhere with little fanfare, no social media or extensive pr campaign enabling those who discover it to simply focus on the music without bias or preconceived ideas which can so often cloud our judgement these days. the hypochondriac ep is one such release, bringing four diverse tracks which veer from the heavier percussive groove and goose-bump inducing rhodes of the title track through to the spaced-out, soul-drenched vocal workout existential. on movement and ghosted we’re treated to deep and tracky shuffled grooves and 90’s inspired nyc deep house with a nod to dopewax and henry street. simply put, this is the kind of record that back in the day would be your secret weapon for many years with all four tracks working their magic in different sets in different situations and places. we hope you enjoy this little slice of house perfec-tion!

brooklyn’s dither down records presents galaxians debut long player let the rhythm in, available now on limited edition double gatefold heavyweight vinyl and download. firmly rooted in the club culture and dance lineage of their hometown leeds, ltri s eight tracks bristle and pulse with the same energy that the band s live performances have become well know for. the album s soulful, muscular sound resonates with a raw playfulness, and with the addition of singer emma mason in 2016 the band have forged a path to a sound steeped in the tradition of new york disco and boogie heavyweights such as inner life, gwen guthrie, and producer/writer leroy burgess.

steffen & stefan aka hanne & lore met 10 years ago at an event in their hometown herford and started to spend studio time together. soon after, the song “an der waterkant”, released by super flu’s label monaberry, became their breakthrough as a producing duo. it was the kickoff to a journey of countless memorable parties, festivals and after hours that created music released on many different labels along the way. for the 10 year anniversary, they asked 10 amazing friends and colleagues to reinterpret one of the tracks which developed into a wonderful collection of finest dance music by the likes of andhim, tube & berger, schories, glitz, zds, aka aka, lexer, david jach, ole biege and dompe. the tape release includes a download code.

f*clr music are proud to present irish producer/dj, glenn davis and his debut release. a deep soulful affair aimed firmly at the dance floor fusing his love of all things chicago, detroit & nyc. the title track body & soul has its roots firmly in the strictly rhythm/nu groove groove a lush, organ driven banger that is guaranteed to incite hands in the air mayhem. ashley beedle & the north street crew put a different spin on body & soul giving it a spaced out, balearic feel while i ain t got nothing has got attitude and then some. the held string, melancholy chords and beautifully ethereal vocals take you to that tiny, dimly lit backstreet club in your mind you ve all been there the one you never want to leave. the gasping interjections on i feel it are underpinned by ominous synths while emotional intelligence takes you in an even darker detroit direction.

paul rudder joins the something else family, with intr0beatz returning on remix duties for the labels 6th release in their 12- only series. no gimmicks, just real house music vibes that jack and groove for days.

limited vinyl only ep. no digital release. no repress.
after solid releases on labels like plastic city, i records or king street, finally, oscar barila debuts on his own label cyanide with a vinyl only ep. for this very special occasion, oscar has teamed up with sebb junior (papa records / salted music), recently named as the 2nd best deep house artist of 2017 on traxsource.
the result of combining these two talented artists are 3 tracks of quality and timeless underground house music. a fusion of styles that will please the diggers of house music bangers, as well as those who want to delight their ears with the most exquisite side of house. the ep is completed with a solid remix by sek (large music, hudd traxx), which will be a treat for the ears of the most delicious deep house foodies.

reality check a one-off project from freddy turner & jason hernandez who dropped this soulful, street-tough slice of house on strictly rhythm back in 1998. this is one of those hidden gems, tucked away in the recesses of the strictly catalogue, so it may well have slipped by under the radar save for a few dedicated heads and vinyl junkies! it s got that nyc sound, hard drums, vocal samples, tripped out loops and stabs. perfect dj material if you re into the funked out stripped back house sounds of the mid to late 90s, this one will certainly be (in) your bag. fantasy has been given some tasty 2017 remastering treatment and repressed onto a high quality, weighty 12inch for all you fiends out there, this one will keep them moving in the mix. perfect nyc house sounds here, untouched and represented in its original 1998 form, no sleeping permitted!

ima (intense molecular activity) is the duo of don hunerberg (synthesizers) and andy blinx (drums and percussion). based in new york city and active between 1979 and 1982. don, a studio sound / music engineer and musician, andy an electronic clothing designer, drummer and sound reinforcement engineer at downtown clubs like max’s kansas city, mudd club and cbgb. in between doing sessions at radio city music hall studios for groups such as ramones, richard hell, sonic youth, liquid liquid, john zorn, glenn branca and many others, ima took advantage of off hours to create their own music. as far as influences go, don’s background was in electronic music and andy’s in prog rock. to produce the songs, don used his own method of creating patterns from 2-track tape loops and then edited them together on to a 24-track recorder adding more tracks of overdubs, in a very similar way that sequencers are used today.

hidden orchestras dawn chorus remixes folgt dem aufschlussreichen album dawn chorus, das neueste album des produzenten und komponisten joe acheson mit immersiven field recordings und ausgedehnten soundscapes zu einer reise durch electronica, deep house und ambient psychedelia. dawn chorus remixes enthält bearbeitungen von max cooper, matthew herbert, throwing snow, the physics house band, nuage, floex, nostalgia 77, wrongtom und skalpel. erhältlich als 2lp mit silbernem prägefolientitel und bedruckten innenhüllen, downloadcode inklusive. das cover-artwork stammt von dem gefeierten künstler und druckgrafiker norman ackroyd.

jungle/breakcore legends deformer are back with another horror infused release: “the living dead deformed”. deformer is known for putting the shock into electronic music and pushing the horror experience to another level. during their shows they cut off limbs and intestines are thrown into the audience while the extreme music turns the crowd into raging freaks. “the living dead deformed” pays hommage to one of the biggest horrorfilm classics of all time: “night of the living dead” (1968) and its creators.
the record was produced before the unfortunate passing of george a. romero. out of respect, deformer chose put out the record as a non-profit, limited edition, numbered by hand, green coloured vinyl release. the amazing cover art is created by legendary visual artist graham humphreys (a nightmare on elm street, the evil dead, poltergeist).
“the living dead deformed” is dark, menacing and will again turn parties into moshpits. they won’t stay deaf!

box set featuring volume 1 - 3 of the bob dylan bootleg series with rare and unreleased tracks from 1961-1991 - available for the first time since its original release in 1991. includes 5 lps and a 36 page booklet.

urpa i musell, the new barcelona-based record label, feels very fortunate to announce its second release, the first ever vinyl reissue of mr. wollogallu, the collaboration album between carlos maria trindade andnuno canavarro originally released in portugal on união lisboa, produções audiovisuais lda. in 1991 the collaboration began when the manager antónio cunha, a mutual friend of both musicians, brought the two together for a performance. afterwards they decided to embark on mr. wollogallu. they had never worked together before, although their careers had parallels between them. both were part of the 80s portuguese pop-rock scene: carlos maria trindade had played with corpo diplomático and heróis do mar, while nuno canavarro played in street kids and delfins. moreover, individually, carlos maria had released the single princesa / em campo aberto (vimúsica, 1982), and nuno had done the lp plux quba (ama romanta, 1988), now recognized worldwide for its uniqueness.

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analog deep space electro with a intimate and melancholic vibe. with each sound carefully designed and crafted to provoke movement and stimulation of body and soul by the alphacom duo. a duo formed by the producers eduardo de la calle (analog solutions) and kristina (amsafe records). the -path ep- showcases another facet of the producers mind, a different from their solo careers. a superb start for the new nny label from madrid. recoommended!!

16 of the biggest soul hits from the iconic motown label. including the likes of marvin gaye, the supremes, stevie wonder, michael jackson and many more.

what is music? is it some warped set or a never before heard radio station, or two televisions being broadcast and received simultaneously?

another robsoul masterpiece - dj w!ld with body talk ep!